Daniel Robert . ." Encyclopedia.com. 12 Jan. 2021
. "Fast Times," Fast Times (also known as Fast Times at Ridgemont High), CBS, 1986. Wills, Adam "Elfman, Danny Film composer Danny Elfman’s exotic collection of folk objects—ranging from Ecuadoran shrunken heads to Mexican Day of the Dead figures—has often inspired him in his musical creation of a dark, humorous, and fantastic world. The band he assembled for the project, Oingo Boingo, later earned a significant cult following during the new wave era. Elfman subsequently moved on to Africa, returning to the U.S. only after battling a bout with malaria; he then reunited with Richard, who had directed the 1980 film The Forbidden Zone and asked Danny to … The composer’s next film with Burton, 1990’s Edward Scissorhands, produced a score that deftly evoked Burton’s fairy-tale imagery. Dividing his time between scoring and songwriting, Elfman nonetheless allowed in American Film that songs reach “people on a much more personal, direct level” than does orchestral music for film. Despite his eventual triumph in Hollywood, Elfman continued to write songs for the group as well as perform guitar and percussion duties. He revealed to Egg, “As a kid I would see movies five, six, seven times if I liked them, and I learned early on that a lot of my favorite ’50s and ’60s fantasy films had wonderful music by Bernard Herrmann.” As a teenager he “would go out at least three nights a week, see every Truffaut, every Fellini—Nino Rota’s music became like second nature to me.” His awareness at such a young age of the intimate relationship between a film’s soundtrack and elements of mood and character made writing soundtracks a very personal endeavor. 2 (MCA, 1996); Good Will Hunting (EMI/Capitol, 1997); Men in Black (Sony, 1997); Sleepy Hollow (Hollywood, 2000); Planet of the Apes (Sony, 2001); Spy Kids (Chapter III, 2001); Chicago (Epic/Sony Music Soundtrax, 2002). Raised in Los Angeles, he and brother Richard relocated to France in 1971, where he joined a theatrical group. Danny Elfman is easily the most successful of those rock musicians who have made the jump to serious film composition. Throughout his composition adventures, whether with Oingo Boingo, in film, or in television, the prolific Elfman has remained close to the origins of his fascination with the theatrical power of music. Therefore, it’s best to use Encyclopedia.com citations as a starting point before checking the style against your school or publication’s requirements and the most-recent information available at these sites: http://www.chicagomanualofstyle.org/tools_citationguide.html. Film Music Film Score Soundtracks Original Score New Wave Punk/New Wave Symphony. Composer for the short Oh No, Not Them!, MTV. Member: American Society of Composers, Authors and Publishers. Rick Baker: Alien Maker, Columbia/TriStar Home Video, 2002. He won a Grammy award for best instrumental composition in 1989 for "The Batman Theme" for the film Batman, and was nominated for best score. His music intensifies the atmosphere of bizarre, mysterious, and haunting alienation that complement Burton's highly stylized, moody films. Himself, Super Secret Movie Rules: Superheroes (also known as SSMR: Superheroes), VH1, 2004. Der Klang der Bilder (documentary), 1995. Tutustu viihteen jättiläiseen http://www.poptori.fi/frendiposti/ Selected discography International Dictionary of Films and Filmmakers. Composer. "Family Dog," Amazing Stories, NBC, 1985. Encyclopedia.com. Member Of. Awards, Honors: BMI Film Music Award, 1987, for Back to School; BMI Film Music Award, 1989, for Scrooged; Grammy Award (with others), best instrumental composition, 1989, for "The Batman Theme," from the movie Batman; Grammy Award nomination, National Academy of Recording Arts and Sciences, best score, 1989, and BMI Film Music Award, 1990, both for Batman; BMI Film Music Award, 1989, and Saturn Award nomination, Academy of Science Fiction, Fantasy and Horror Films, best music, 1990, both for Beetlejuice; Emmy Award nomination, outstanding achievement in main title theme music, 1990, and BMI TV Music awards, 1996, 1998, and 2003, all for The Simpsons; BMI Film Music Award and Grammy Award nomination, best score, both 1991, for Dick Tracy; Saturn Award nomination, best music, Grammy Award nomination, best instrumental composition, both 1992, for Edward Scissorhands; BMI Film Music Award, 1993, for Batman Returns; Saturn Award, best music, and Golden Globe Award nomination, outstanding original score, both 1994, for The Nightmare before Christmas; Saturn Award nomination, best music, 1996, for Dolores Claiborne; BMI Film Music Award, 1997, for Mission: Impossible; Saturn Award, best music, and Golden Satellite Award nomination, International Press Academy, outstanding original score, both 1997, for Mars Attacks! He explained in American Film, “It is a generally accepted feeling within the music industry, of composers and would-be composers and wanna-be composers, that I don’t write my own music, that I hire ghosts.” But Elfman has successfully exorcised his ghosts with the orchestral works Batman and Edward Scissorhands, thus firmly establishing himself in the realm of contemporary film composers that includes giants like John Williams and Jerry Goldsmith. Karlin, Fred, Listening to Movies: The Film Lover's Guide to Film Music, New York, 1994. 1 (MCA, 1990); Edward Scissorhands Soundtrack (MCA, 1990); Dick Tracy (Warner Bros., 1990); Darkman Soundtrack (MCA, 1990); The Nightmare Before Christmas (Disney, 1993); Sommersby (Elektra, 1993); Dolores Claiborne Soundtrack (Varese Sarabande, 1994); Dead Presidents (Capitol, 1995); To Die For (Varese Sara-bande, 1995); Music for a Darkened Theater, Vol. Encyclopedia.com. 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